Bilis Negra is the result of a computer music class I took in my last year of undergraduate studies. The clarinet is processed live with MAX MSP employing mostly delays, reverbs and pitch shifters. Some of the constructive features that I employed for the first time in this piece are still traceable in more recent works, for instance, a way of unfolding the motivic discourse and overall form as progressive deceleration.
Recorded Live. November 23, 2007. Auditorio Santa Cecilia Universidad Católica Argentina.